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Routes in (k) The Dihedrals

Almost Nothing S 5.12a 7a+ 25 VIII+ 25 E5 6a
Ancylostoma S 5.9 5c 17 VI 17 HVS 5a
Bookworm T,S 5.7 5a 15 V+ 13 MVS 4b
Bunny Face S 5.7 5a 15 V+ 13 MVS 4b
Captain Xenolith S 5.10a/b 6a+ 19 VI+ 19 E2 5b
Chain Reaction S 5.12c 7b+ 27 IX- 27 E6 6b
Cinnamon Slab T 5.6 4c 14 V 12 S 4b
Cognition S 5.11c 6c+ 24 VIII- 24 E4 6a
Crossfire S 5.12b 7b 26 VIII+ 26 E5 6b
Cry Baby S 5.8+ 5b 16 VI- 15 HVS 4c
Darkness At Noon S 5.13a 7c+ 29 IX+ 29 E6 6c
Easy Reader S 5.6 4c 14 V 12 S 4b
Evil Sister aka Ugly Sister S 5.13b 8a 29 IX+ 30 E7 6c
Firing line S 5.12b 7b 26 VIII+ 26 E5 6b
Flat Earth, The S 5.12a 7a+ 25 VIII+ 25 E5 6a
Fox In Socks S 5.11c 6c+ 24 VIII- 24 E4 6a
French Connection T,S 5.13b 8a 29 IX+ 30 E7 6c
Freshly Squeezed S 5.11a 6c 22 VII+ 22 E3 5c
Ginger Snap S 5.8 5b 16 VI- 15 HVS 4c
Go Dog Go S 5.12c 7b+ 27 IX- 27 E6 6b
Heinous Cling S 5.12c 7b+ 27 IX- 27 E6 6b
Heinous Cling Start S 5.12a 7a+ 25 VIII+ 25 E5 6a
Helium Woman S 5.9 5c 17 VI 17 HVS 5a
Karate Crack T 5.10a 6a 18 VI+ 18 E1 5a
Karate Wall (aka Powerline) S 5.12c 7b+ 27 IX- 27 E6 6b
Karot Tots T 5.11b 6c 23 VIII- 23 E3 5c
Last Waltz S 5.12c 7b+ 27 IX- 27 E6 6b
Latest Rage S 5.12b 7b 26 VIII+ 26 E5 6b
Latin Lover S 5.12a 7a+ 25 VIII+ 25 E5 6a
Left Slab Crack T 5.4 4a 12 IV 10 VD 3c
Lichen It S 5.7 5a 15 V+ 13 MVS 4b
Lycopodophyta T 5.7 5a 15 V+ 13 MVS 4b
Middle Aged Vandal S 5.11c 6c+ 24 VIII- 24 E4 6a
Monster Rage S 5.12d 7c 28 IX 28 E6 6b PG13
Moondance S 5.11c 6c+ 24 VIII- 24 E4 6a
Moonshine Dihedral T 5.9 5c 17 VI 17 HVS 5a
Night Flight S 5.5 4b 13 IV+ 11 MS 4a
Peapod Cave T 5.10a 6a 18 VI+ 18 E1 5a
Peep Show S 5.12b 7b 26 VIII+ 26 E5 6b
Powder in the Eyes S 5.12+ 7c 28 IX 27 E6 6b
Power Dive S 5.12a 7a+ 25 VIII+ 25 E5 6a
Rabbit Stew T 5.7 5a 15 V+ 13 MVS 4b
Rattlesnake Chimney T 5.6 4c 14 V 12 S 4b
Rebirth S 5.8 5b 16 VI- 15 HVS 4c
Right Slab Crack T 5.6 4c 14 V 12 S 4b
Rodney's Chocolate Frosted Love Donut S 5.8 5b 16 VI- 15 HVS 4c
Slow Burn T,S 5.11d 7a 24 VIII 25 E5 6a R
Sunshine Dihedral T 5.12a 7a+ 25 VIII+ 25 E5 6a
Take a Powder S 5.12b 7b 26 VIII+ 26 E5 6b
To Bolt Or Not To Be S 5.14a 8b+ 32 X+ 32 E8 7a
Vision S 5.12b 7b 26 VIII+ 26 E5 6b
Watts Totts S 5.12b 7b 26 VIII+ 26 E5 6b
Wedding Day S 5.10b 6a+ 19 VII- 19 E2 5b
Type: Sport, 135 ft
FA: Jean Baptiste Tribout November 7, 1986
Page Views: 29,686 total, 219/month
Shared By: Monomaniac on Oct 31, 2006
Admins: Nate Ball, Micah Klesick

You & This Route


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Description

Among the most famous routes in the world, this legendary wall of relentless edges played a seminal role in the consolidiation of Sport Climbing in the US. As the first 5.14a in North America, this route's haughty grade focused national attention on local tactics, while luring the world's elite free-climbers to an unknown backwater rest-stop in rural Oregon. Perhaps more than any other route of the era, To Bolt demonstrated the unique benefits of the "top-down" approach. If nothing else, surely this was a route worth hang-dogging for.

For more than 20 years, hardmen from around the world have tangled with To Bolt's tiny crimps since French patron "JB" Tribout first freed the line in late 1986. Alan Watts, the Father of American Sport Climbing, once posited that virtually every elite climber of the last 20 years had attempted the line, or had at least contemplated it, and thought better of it. Scott Franklin, Jerrry Moffat, Ron Kauk, Alan Watts, Doug Englekirk, Steve Schneider, Lynn Hill, Chris Sharma, Dave Graham, Tommy Caldwell, Beth Rodden, Sonny Trotter, Steve McClure...the list of folks who've ticked this wall reads like a Who's Who of free climbing.

In addition to its intriguing history, unparalleled movement, flawless golden tuff and an awe-inspiring appearance warrant the line's ultra-classic status.

For the redpoint climber, To Bolt offers countless challenges. With so many difficult moves, numerous factors must come together for the send. Weather, shoes, fitness, skin, where & when to rest, and how to clip--all these come into play. The route is perhaps as much a psychological challenge as a physical one, with the redpoint crux coming down to the climber's ability to keep focus over the last five bolts of relatively easier stone, and suppress the leg-rattling notion that the send is in the bag.

The route begins tamely enough, with 3 bolts of fairly mellow 5.12- liebacking up a series of left-facing sidepulls. There is a difficult left-hand mono move below the first bolt, and an easy sinker mono for the right-hand at the 3rd bolt. The first difficult clip comes at the fourth bolt, just before the first crux, a 5.12 rightward traverse on sharp, purple crimps and un-inspiring foot divots. Opposing sidepulls and high-steps lead to a 1/4" polished crimp and the tenuous fifth clip. The real business comes in the next few bolts. For crux #2, gaston up and left to a series of 5.13- deadpoints to thin, sharp crimps and a core intensive clipping stance. Clip #6, chalk up and kiss your skin goodbye as you tickle the 1/8" crimps of the next 5.13 crux. Moving from 6 to 7 is the hardest bit of climbing, and it comes with a considerable pump, but good balance is the key to reaching the sickle-shaped sidepull and an extremely insecure clipping stance. A brief shake & chalk is possible here, before continuing thru crux #4 via sequential 5.12-ish footwork & hip shifting. Clip the 8th bolt with ease, then a series of super-high-steps and long lockoffs lead to the ninth bolt and the first real rest: a rounded 1" crimp with decent feet.

After a good shake, beta-intensive 5.13- crux #5 heads up and left on rounded crimps and long cranks, to a slopey pod rest at the tenth bolt. From here to the chains is considered 5.12d, but should not be underestimated, as there are many heart-breaking moves in the last 5 bolts. A few moderate moves lead to a large bear-hug flake at the 11th bolt, and one final shake before the last 5.12/13- crux. Delicate footwork and tiny crimps work up & left to the "crescent-shaped" hold, an awkward clip and one last hard crank to a series of horizontal crack pods. From here, things ease somewhat as the pump builds. Long sequential lockoffs between bigger holds with better feet keep things moving chain-ward, but don't allow for any real "Thank-God" rest. After clipping 14, an awkward & balancey step left leads to an ascending leftward traverse, crossing delicately to large slopey pockets and a bomber clipping jug on the arete.

Location

On the dihedral face left of Sunshine Dihedral, beginning atop a pointy boulder.

Protection

14 Bolts. Originally, the route continued around the arete up the 5.4 slab to the anchor atop the 2nd ptich of Moondance. A chain anchor has since been added on the face for convenience. A full 70m rope just barely makes it to the ground from this anchor with much care. The hillside slopes away, so you will need to swing in towards your belayer (or stay clipped to the belayer's end of the rope) to reach the ground.
skinny legs and all
Elizabethtown, Pennsylvania
skinny legs and all   Elizabethtown, Pennsylvania
Jibe Tribout said no woman would ever climb 5.14. Lynn Hill was the first to redpoint To Bolt Or Not To Be in 1998, Beth Rodden sent shortly after, and most recently by Paige Claassen in early 2013. Also of note is that the 13 year old young man Drew Ruana climbed it in 2013 as well. Jan 10, 2014
Monomaniac
Morrison, CO
 
Monomaniac   Morrison, CO  
 
Glad to hear it. That makes sense since the hold in the pic is more of a sidepull than undercling. Did you send yet?? Jan 19, 2011
Ryan Palo
Bend, oregon
  5.14a
Ryan Palo   Bend, oregon
  5.14a
Hey Mark,

Thats the crimp that Tim ripped off. I broke the next crimp. The right hand undercling catch. Whoops! A well known good sam brought it back to its original state. Jan 19, 2011
Monomaniac
Morrison, CO
 
Monomaniac   Morrison, CO  
 
Not too many underclings on this, so I assume its the same one Tim ripped off & glued back on (clipping hold for bolt #6).

Right hand in this pic?


Dec 14, 2010
Peter Franzen
Phoenix, AZ
Peter Franzen   Phoenix, AZ  
One of Portland's finest just managed to rip off a crux undercling this weekend. Dec 14, 2010
Jay Knower
Campton, NH
Jay Knower   Campton, NH  
Excellent work Mono! Many congrats on the send. Dec 2, 2008
Philip Scoles
bum fuck, Oregon
 
Philip Scoles   bum fuck, Oregon
 
This line is way harder than it looks, and it's hard! Nov 15, 2006
mark d  
most aesthetic bolt line at smith. Oct 31, 2006
Peter Franzen
Phoenix, AZ
Peter Franzen   Phoenix, AZ  
This is one of the most intimidating climbs anywhere-- moreso than the harder .14s at Smith. It doesn't get a ton of traffic but it's a hell of a line. Oct 31, 2006