Continue with onX Maps
Sign in with Facebook
Routes in The Wild Westerlies
|
Butter Brain S 5.12b 7b 26 VIII+ 26 E5 6b |
|
|
Camino al Cielo S 5.11a 6c 22 VII+ 22 E3 5c |
|
|
Capicola S 5.10b 6a+ 19 VII- 19 E2 5b |
|
|
Convergence S 5.12b 7b 26 VIII+ 26 E5 6b |
|
|
Corndog in Heat T 5.10- 6a 18 VI+ 18 E1 5a |
|
|
Cueca Para los Gringos S 5.12b 7b 26 VIII+ 26 E5 6b |
|
|
Desperado S 5.10d 6b+ 21 VII+ 21 E3 5b |
|
|
Diamond in the Rough S 5.10b/c 6b 20 VII 20 E2 5b |
|
|
Digital Blowout T 5.10+ 6b+ 21 VII+ 20 E3 5b |
|
|
Don Quijote S 5.12a 7a+ 25 VIII+ 25 E5 6a |
|
|
Easy Skankin' S 5.10+ 6b+ 21 VII+ 20 E3 5b |
|
|
Exodus S 5.10b/c 6b 20 VII 20 E2 5b |
|
|
Fickle Flake of Fate S 5.8 5b 16 VI- 15 HVS 4c |
|
|
Fukitake Express S 5.11- 6c 22 VIII- 22 E3 5c |
|
|
Gabagool S 5.12- 7a+ 25 VIII+ 25 E5 6a |
|
|
Heavy Nettle S 5.11+ 7a 24 VIII 24 E4 6a |
|
|
Jiro Dreams of Shooshing S 5.11 6c+ 23 VIII- 23 E4 5c |
|
|
Laughin' Sam's Dice Direct Start S 5.10c 6b 20 VII 20 E2 5b |
|
|
Laughing Sam's Dice S 5.9 5c 17 VI 17 HVS 5a |
|
|
Lively Up Yourself S 5.10b 6a+ 19 VII- 19 E2 5b |
|
|
Reggae on Broadway S 5.12c 7b+ 27 IX- 27 E6 6b |
|
|
Tango Negro S 5.11d 7a 24 VIII 25 E5 6a |
|
|
Tres Tristes Tigres S 5.12a 7a+ 25 VIII+ 25 E5 6a |
|
|
Unknown S 5.12b 7b 26 VIII+ 26 E5 6b |
|
|
Unnamed S 5.11d 7a 24 VIII 25 E5 6a |
|
|
Weaving through Golden Choss S 5.12b/c 7b+ 27 IX- 27 E6 6b |
Order Wrong?
Sort Routes
| Type: | Trad, 45 ft (14 m) |
| GPS: | 37.85639, -107.86738 |
| FA: | Takanori Kondo, 2024 |
| Page Views: | 76 total · 4/month |
| Shared By: | Taka Kondo on Sep 29, 2024 |
| Admins: | Leo Paik, John McNamee, Frances Fierst, Monty, Monomaniac, Tyler KC |
Your To-Do List:
Add To-Do ·
Your Star Rating:
Use onX Backcountry to explore the terrain in 3D, view recent satellite imagery, and more.
Now available in onX Backcountry Mobile apps! For more information see this post.
Description
Start with moderate moves below the mouth of the cave to a roof where you can place your first cam. Pull the roof, and climb the short dihedral on gear, then follow bolts up the face to the anchor. Abundant stances and thoughtful movement throughout.
0 Comments