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Routes in The Spot (G-Spot)
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Baiting Bambi (The Old In-and-Out) S 5.8 5b 16 VI- 15 HVS 4c |
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Bellybutton Window S 5.10a 6a 18 VI+ 18 E1 5a |
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Bye Bye Beep S 5.6 4c 14 V 12 S 4b |
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Cat and Mouse S 5.10a 6a 18 VI+ 18 E1 5a |
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Cocksure S 5.7 5a 15 V+ 13 MVS 4b |
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Everybody’s Baby T 5.7 5a 15 V+ 13 MVS 4b PG13 |
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Flakin' S 5.9 5c 17 VI 17 HVS 5a |
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Glamour Junkie (in Hollywood Bowl) S 5.11a 6c 22 VII+ 22 E3 5c |
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Knowledge Enema T 5.8 5b 16 VI- 15 HVS 4c |
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March of Saints T 5.10a 6a 18 VI+ 18 E1 5a |
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Melrose Place (In Hollywood Bowl) T 5.10a 6a 18 VI+ 18 E1 5a PG13 |
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Midnight Mass T 5.9 5c 17 VI 17 HVS 5a |
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Moment of Silence S 5.11c/d 7a 24 VIII 25 E4 6a |
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Mr. T's Wild Ride S 5.10a 6a 18 VI+ 18 E1 5a |
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Parade S 5.10a 6a 18 VI+ 18 E1 5a |
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Percussion T 5.11a 6c 22 VII+ 22 E3 5c |
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Phat Tuesday S 5.9+ 5c 17 VI 17 E1 5a |
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Pimp My Rack (in Holywood Bowl) T 5.10c 6b 20 VII 20 E2 5b |
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Safetry is My Middle Name (No Call Waiting) S 5.10a 6a 18 VI+ 18 E1 5a |
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Scottish TR WI3+ M3-4 PG13 |
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She's Got a Dripping Crack T 5.4 4a 12 IV 10 VD 3c |
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Slice and Dice T 5.10a 6a 18 VI+ 18 E1 5a |
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Teenage Burnout S 5.9 5c 17 VI 17 HVS 5a |
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Temptation S 5.11c 6c+ 24 VIII- 24 E4 6a |
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Totally Industrial S 5.11b 6c 23 VIII- 23 E3 5c |
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Tradasaurus T 5.8+ 5b 16 VI- 15 HVS 4c |
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Twinkle-Toes S 5.8 5b 16 VI- 15 HVS 4c |
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Where the Sun Don't Shine S 5.11b 6c 23 VIII- 23 E3 5c |
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Whiskey and a Headlamp T 5.9 5c 17 VI 17 HVS 5a |
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You're so Hollywood S 5.10a 6a 18 VI+ 18 E1 5a |
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| Type: | Trad, 80 ft (24 m) |
| GPS: | 44.80078, -63.14536 |
| FA: | Jamie Simpson, Matt Walker, 2012 |
| Page Views: | 827 total · 9/month |
| Shared By: | Nathan Benjamin on Jul 24, 2018 |
| Admins: | Will Bland, Greg Hughes, Will Sarty |
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Description
Start on the slab as for Mr. T's Wild Ride using the bolts for protection to get to the slightly overhung crack above. Alternatively climb the dirty poorly protected bush filled crack left of the slab to avoid clipping those silly bolts. Once you arrive at the crack the real fun begins! It's short, but worth it. the cracks get thinner as you move to the anchor, with the last moves being the crux.
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