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To Infinity and Beyond (a.k.a. Seventeen Years Later)
5.6 YDS 4c French 14 Ewbanks V UIAA 12 ZA S 4b British
Avg: 2.1 from 49
votes
Early Access
Routes in Amphitheater Wall
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Enjoy The Silence S 5.5 4b 13 IV+ 11 MS 4a |
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Exit Stage Left (a.k.a. Make Your Mark) S 5.6 4c 14 V 12 S 4b |
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Exit Stage Right aka Stage Roof S 5.5 4b 13 IV+ 11 MS 4a |
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Hakuna Matata (a.k.a. Cliff Notes) S 5.4 4a 12 IV 10 VD 3c |
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Magic Ear Muffs S 5.4 4a 12 IV 10 VD 3c |
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Performance Traverse S 5.7 5a 15 V+ 13 MVS 4b PG13 |
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Pin Me S 5.10c 6b 20 VII 20 E2 5b |
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Rock Climber S 5.3 3+ 10 III 9 VD 3a |
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Shrek S 5.11a 6c 22 VII+ 22 E3 5c |
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Slot, The V4 6B PG13 |
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To Infinity and Beyond (a.k.a. Seventeen Years Later) S 5.6 4c 14 V 12 S 4b |
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| Type: | Sport, 35 ft (11 m) |
| GPS: | 40.37748, -105.52879 |
| FA: | Deb Thompson, Leo Paik, 11/9/2003?, 1st bolted lead Mike Lewis, 5/2/2017 |
| Page Views: | 2,112 total · 18/month |
| Shared By: | Mike Lewis on May 5, 2017 · Updates |
| Admins: | Leo Paik, John McNamee, Frances Fierst, Monty, Monomaniac, Tyler KC |
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Access Issue: Lead Only Area
Details
The Town of Estes Park owns the cliffs. The land including the driveway above the cliff is private property. We have worked very hard to get this cliff open to climbing. Our access is dependent upon the landowners above the cliff not feeling overwhelmed by the climbers, and the Town of Estes feeling like the climbers are respecting those landowners.
1. Please follow all the rules stated on the kiosk at the base of the cliff.
2. Do not scramble above and try to get down to the top of the bolted climbs to set up topropes - this endangers those below and encourages too much traffic on the top of the cliff.
3. Educational, recreational, and commercial groups may want to use the top of the cliff for rappelling. This is okay if NO ONE else is below and you are using the River Wall, not the Amphitheater Wall. Access the top by walking the trail up the hill at the far West end of the River Wall. Do not let your clients, friends, students run around at the top of the cliff in sight of the houses. Keep everyone chill and out of sight of the houses.
4. Try to use quiet communication when people are setting up or using the amphitheater.
Also: climbing on the Amphitheater Wall is off-limits when shows are happening at the amphitheater during the summer - usually a few afternoons and evenings per week. There is a sign placed when the amphitheater is closed or closes early.
Thank you!!!!
1. Please follow all the rules stated on the kiosk at the base of the cliff.
2. Do not scramble above and try to get down to the top of the bolted climbs to set up topropes - this endangers those below and encourages too much traffic on the top of the cliff.
3. Educational, recreational, and commercial groups may want to use the top of the cliff for rappelling. This is okay if NO ONE else is below and you are using the River Wall, not the Amphitheater Wall. Access the top by walking the trail up the hill at the far West end of the River Wall. Do not let your clients, friends, students run around at the top of the cliff in sight of the houses. Keep everyone chill and out of sight of the houses.
4. Try to use quiet communication when people are setting up or using the amphitheater.
Also: climbing on the Amphitheater Wall is off-limits when shows are happening at the amphitheater during the summer - usually a few afternoons and evenings per week. There is a sign placed when the amphitheater is closed or closes early.
Thank you!!!!
Description
This route moves into the round pod on the left end of the Amphitheater Wall. Start as per Exit Stage Left (a.k.a. Make Your Mark) if you want the easier start at 5.7. Then move left to the line of bolts heading up and left to the pod. The anchors are just under a small roof at the left edge of the wall. The direct start over the bulge to the first bolt is harder - 5.10-ish.
Location
It is left of Exit Stage Left (a.k.a. Make Your Mark). Use the same start as Exit Stage Left (a.k.a. Make Your Mark) to keep it 5.7. The base of the wall steepens to the left of this route.
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