I dedicated my November to climbing the Tempest (A4+), on El Capitan. An unanticipated storm rolled in and I spent 20 nights in the sky by myself. I want to remember everything, it's hard to condense this into words. Countless crucial lessons, so many moments of beauty. The climbing, the movement, the systems-they were all in sync with my wholly encompassing need to keep moving up. Solitude and time turned physical climbing into the most powerful metaphor for life I’ve experienced so far.
I started this route by fixing one pitch a day, approaching with caution and curiosity. The climbing felt scary, hard, and real, but my desire to find out what was above me consistently won out over my fear. Breathing, singing, making peace with a nest of yellowjackets, learning to hook more confidently and clipping more copperheads than I ever have before came with the relief of touching the ground afterwards. After pitch 2, I took a break to climb Native Son, a pre-existing plan with a friend that fell through after pitch 3. But I got what I needed. The bail was amicable (it felt like it bolstered our friendship), I climbed my first A4 pitch (the crux pitch of NS felt chiller than the Tempest so far, maybe because I had a belay and a friend) and I learned an important lesson about using better ropes (we core shot both of ours). So–back to the Tempest.
With 4 pitches fixed, I wait out one day of rain while trying to think of all the things I might forget and babysitting my friends’ 5 year old, which feels so weirdly normal that it helps lessen the gravity of my last day on the ground.
Haulbags tucked in for the rain
The next morning is fresh, a beginning washed clean by rain. I press both hands firmly into the gravelly dirt at the base of the huge alcove that looms over me, soaking up this last horizontal solidity. I do this every time. Goodbye ground. See you soon. Start moving. I jug up my first fixed line, a freehanging 70 meter jug, a flimsy, wavering stanchion into the sky. I haul all day, straining against a load that weighs almost three times my body weight.
Memory is a funny thing, diaphonous and unreliable. Now, writing safely from the sunny riverbank of the Merced, I remember- a plan that was executed smoothly, feeling at ease in the portaledge, the Cathedrals illuminated by the almost full Moon. My journal entry belies this. The first day was hectic, exhausting, strung together. I am quivering with doubts and the efforts it took to haul that much weight, scared to go up and scared to go down, questioning why I’m even up here. The moon is a floodlight in my eyes, I’m too activated to eat, and I can’t get the ledge perfectly flat.
My next morning is arrested when I drop the stuffsack containing my puffy and charger pack. I sit staring at the winking yellow on the ground, fuming. I pack up and get ready for the next pitch, tie all my ropes together, and float in indecision. Waste precious time and energy, entertain the risk of seesawing my rope on this edge as I’m jugging, or buckle already and call for help? I had paused my messaging apps and set the intention of not talking to anyone while I was up there, was only going to use my phone to check the weather. I weigh expectation, self-reliance, and avoidable risk against asking for help. My friend once told me he thought I’d rather die than ask for help. I sit there for longer than I need to and then I phone a friend. 10 minutes after, I see two people on the approach and I’m able to yell down to them to clip my stuffsack to the ropes, please.
(Photo by Tom Evans)
The days are short. Everything takes me longer than I expect. I keep my watch on the old daylight saving’s time, get up early every morning and am caught and devoured by the dark every night. I switch between a 2:1 and a 3:1 hauling system but my bags are an anchor and time is slippery. The climbing is tricky-scary, thoughtful, reachy. The wall rears up over me, steep and intimidating. Every time I think I might be having fun, I get spooked by something while climbing, or I rage at some stuck thing, or I tangle systems, or I forget to eat and get slow.
On pitch 6, I come up against an expanding feature that feels more loose than expando to me, even though I see hammermarks around the edge. I take a good size fall trying to hook around it, ripping a baby beak and falling past 4 pieces below the large beak that catches me. Eyes open, I’m screaming as I fall, tilted sideways and weightless, until I rebound on the rope. I pull myself back up shakily, slump against the rope, try to slow my heart rate down. Monkey calls and whoops from the right side of the mountain help bring me back, I’m ok. The catch was soft, the Avant Climbing rubber shock absorbers work (Brent gifted my a whole set up in the parking lot-incredibly nice). I place a camhook and give a little tug, and the whole flake flexes. No. As I wiggle the camhook out, the flake breaks off above me, a mass the length of my torso falls past me, barrels to the ground faster than I think possible, narrowly misses my flagged ledge. The ensuing explosion of rock silences the whole side of the mountain. Someone shouts up to me, asking if I’m ok, and I shout down yes, affirm that no one was on the ground below me.
I’m terrified. I could have killed someone. Or myself. The cleft where the flake belonged is smooth and seamless. Despair is in my throat. I try to voice my thoughts but I don’t sound brave talking out loud. I fall again trying to hook above it. This time my scream is terminated with a loud expletive, and I get mad instead of scared. I dither, waste time, but eventually I tape a hook to the tip of my telescoping mini stick clip, which extends my reach by about 8 feet. I get as tall as I can on the baby beak and go fishing for an edge. I feel like a puppeteer, pulling the strings of this ridiculous hook stick. The hook bites. I inch up my daisy, stopping to breath between each miniscule movement, pretend I don’t exist. It works. I move up.
I complicate much of the climbing by never having quite the right amount of gear on me. I play with tagging up a bag on a Fifi hook but it takes too long to reset. Backcleaning is the penance for poor planning. The topo calls for 40 beaks, which I reluctantly clip to myself for only the crux pitch. Time delays have started to feel more consequential. I’m racing an atmospheric river. The storm is due Wednesday night and I need to be at the Lazy Day Ledge at the top of pitch 12 before then.
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Tuesday I head out on the crux pitch, weighed down by my gear, my apprehension of the difficulty of this pitch, and the time stress. I get lost. Lured left by a line of rivets and old tat waving in the wind, I can’t figure out the start. I’ve done some tricky climbing to move left, and now every direction feels wrong. I crumble. I’ve been moving nonstop for almost a week. My nerves are floss, my hands are on fire, I can’t do it. I’ve kept repeating-I’m indefatigable, time doesn’t exist, pain doesn’t exist. But I’m exhausted and I’m running out of time and my right hand barely works. I’ve never cried soloing before but I’m sobbing into the rock. I can’t be tough anymore, I can’t climb anymore, I’m scared and I’m alone and I don’t know what to do. Crying doesn’t help but I can’t stop, and then I realize that it does help a bit, because I can splash my ultimatum of “you have to be tough” all over the wall. I call a friend. I text two others for directions. I don’t care anymore. I have to figure it out before the storm. I forgive myself for the tears, for the phone usage. It’s my first A4 route. It’s nice to hear someone else’s voice and eventually, comparing the color of the rock to the picture in the book, I figure it out.
Ironically, once I’m in the right spot I don’t find the climbing to be very difficult. I thought many of the other pitches on this climb were harder and more consequential. I hold on to this experience–don’t make assumptions about pitches and grades and psych yourself out.
I make it to the ledge the next day, having wasted too much time lost in Space. The next A2 pitch has a hook move off the anchor so reachy that I’m tiptoing and pushing the hook up with my fingertips, followed by three more hook moves to a dubious offset cam. I don’t understand these grades. On my way up, I understand why removing distractions like the phone is so important. I climb past plants for the first time and fall into the color green, the patterns of the leaves, the wonder of life growing in the sky. I’m enraptured by a bug, its markings so intricate, they seem more meaningful. I’ve never felt so zoomed in before. Up higher I eat lunch with a fly that can miraculously contort its legs behind its head. These are the first living things I’ve seen up close in a week. I feed the fly a crumb of cheese.
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I get storm ready. The wind portends the storm to come and turns the portaledge into a windsail. With mounting anxiety I organize the anchor and my gear. I recognize this feeling, it's how I felt when I got hit by a storm last year, my first time up El Cap. My body is locked, my teeth are fused, tunnel vision, like the world is screaming ‘danger’ at my very being.
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