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Hyperform
5.10b,
Trad, Alpine, 4 pitches,
Avg: 3.7 from 55
votes
FA: Les Ellison, Dirk Tyler & Lynn Wheeler, 1978
Utah
> Wasatch Range
> Central Wasatch
> Lone Peak Cirque
> Hyperform Wall
Description
This route starts in the prominent dihedral towards the left end of the wall.
P1. Jam up a long corner with two pods providing difficulties.
P2. Short pitch. A fingercrack leads to a pumpy rightward shuffle to a belay ledge.
P3. The obvious wide crack staring at you. It's nice to have a cam bigger than a #4 Friend on this pitch.
P4. Stacked vertical blocks. Though scary looking, there is decent pro and the climbing is much easier than the previous pitches.
Protection
Double set stoppers/cams. One #4 Camalot or equivalent for third pitch.
[Hide Photo] Wheels at the crux, near the end of the second pitch during the F.A. Photo L. Ellison
[Hide Photo] Behold! (Cue 'Flight of the Valkyrie')
[Hide Photo] couple of monkeys making short work of Hyperform
[Hide Photo] Contemplating the finger crack to hand traverse. Both hidden from view in this picture.
[Hide Photo] Pitch 2 chimney on left, with the crux traverse inbetween the 2 black spots.
[Hide Photo] Pitch 3 wide crack
Salt Lake city
Pitch 1-mostly hands/wide hands. Use your #2-#3 camalots wisely here. A #4 camalot is also useful for one of the crux pods. A full 200' pitch here. We had a 70m and it only had 20 feet or so left starting on the ground. You can start higher on the big block too. Great belay ledge on top of pitch 1, with a fixed sling/nut thing or use small tcu sized gear for belay.
Pitch 2- Chimney start with about 3 crack sizes for gear. This leads to cruxy thin finger locks(long reach helpful) to the horizontal hand traverse. Be ready with a .75/1 camalot here. Punch it to the right. Short pitch, zesty. #3 camalots for belay.
Pitch 3- Wide hands for about 30 feet. A few nut placements and one blue tcu option exist in cracks out right, but obviously you will need 2 #3 camalots for this section. I found a #4 was too big for most of the crack but fits near the roof, and is helpful on pitch 1 as well. No need to fret though if you don't have one. Then romp up the loose stacked blocks to the top. Walk off west for 10 minutes, then find easy downclimb and back to your packs. Sep 16, 2012
SLC, UT
SLC, Utah
I did use the #4 camalot on pitch one and three. You could get by without it, but it makes the pitch 3 crux way less scary. If I would have had three #3 camalots, they would have been used, but I was fine with two. Also, linked pitch 3-4 with no problem. All in all, I loved this route and would recommend it to anyone comfortable at 5.10. Jun 30, 2014
Fayetteville, AR
SLC, UT
The anchor on top of the first pitch is in bad shape, so bring some new cord/slingage if you plan on doing only the first pitch. Jul 14, 2015
Salt Lake City, Utah
SLC, UT
SLC, UT
p1 - Super long with great jams and gear the whole way. Endurance.
p1 - Chimney with a thin hands/finger crack to a ledge. From there finger james to a cruxy juggy traverse.
p3 - Wide hands to OW to hand crack. Not as bad as it looks. #4 not necessary but can be used.
p4 - blocks to the top.
I dont see any reason to pitch out 3&4. Combine w/ a 60m.
Walk off to the climbers right. Super good! Jul 13, 2017
Temecula CA
Provo, UT
I was also surprised, after climbing pitch 3, that not more people raved about it! It's an amazing hand crack, maybe better than pitch 1, that pulls through two steller overhangs. This route could fittingly be renamed Double Overhangs because of pitch 3.
All in all, an outstanding route, easily one of the very best I've done on granite. Deserves to be every bit as classic as the more popular Cirque routes! Jul 22, 2019
SLC
Also, our #4 broke a wire and we managed well without it. Aug 29, 2019