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All Locations > Colorado > Estes Park Valley > Lumpy Ridge > Sundance Buttress > Sidetrack (5.9 5c 17 VI 17 HVS 5a)
Jamming is easy on P4. Enjoy, there's plenty of 5.9 on the next pitch. Photo by Patrick Clarke.
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This beautiful hand crack leads to a wild finish, the roof visible in the upper right portion of the photo. This shot is a bit repetitive of an earlier post but look at that beautiful blue Camalot placement. A convenient shelf provides a rest and a chance to slot some bomber nuts for the action ahead. The upper crack is described as "thin" in one guide, but I was glad to find it hand-sized. I thought the hardest part of this pitch was between the cam and the shelf, contrary to the topo. This is a must-do, memorable pitch. Photo by Patrick Clarke.
The easy crack system on P4.
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Luke Clarke
Jul 18, 2005
“Jamming is easy on P4. Enjoy, there's plenty of 5.9 on the next pitch. Photo by Patrick Clarke.”  

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Nearby Photos

Pitch 1.
The wide crack on P3.
The pitch 1 start.
Pitch 6 joins Mainliner.
Pitch 5 roof.
Pitch 4.
Pitch 3.
The belay at the top of P2 (easily combined with P1 on a 60m) is the least roomy on the route, but comfy. Patrick is in high spirits after clearing the first roof.
Looking down at the 5.8 slab start with little to no good pro on it.
Chris contemplating the slab moves up the thin, left-facing seam.
This is the recommended 5.9 start to P1. There are a few runouts (~15ft) above good gear on incut holds. This is a great pitch with a fun leaning crack and cool face climbing.
This beautiful hand crack leads to a wild finish, the roof visible in the upper right portion of the photo. This shot is a bit repetitive of an earlier post but look at that beautiful blue Camalot placement. A convenient shelf provides a rest and a chance to slot some bomber nuts for the action ahead. The upper crack is described as "thin" in one guide, but I was glad to find it hand-sized. I thought the hardest part of this pitch was between the cam and the shelf, contrary to the topo. This is a must-do, memorable pitch. Photo by Patrick Clarke.
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