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Abracadabra 
Burning Chrome 
Cinders And Saints 
Color of Pomegranates, The 
Controlled Burn  
Darkness 'til Dawn 
Disappearing Act 
Doris Gets Her Oats 
Everybody Route, The 
Fanning the Flame 
Grand Course, The 
Grandmother's Challenge 
Great Zot Variation A., The 
Great Zot, The 
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Green Sleeves 
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Heddie La Rue 
Hot Links 
Hot Spur, The 
Lost in Space 
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Northumberland Crack 
Paris Girl 
Piece of the Sun  
Please Close Lid 
Rabbits From Hats 
Razors to Rubble 
Rebuffat's Arete 
Rewritten 
Roof Wall, The 
Silver Raven 
Spur of the Moment 
Sunstar 
Swanson Arete 
Tower Corner Exit 
Unknown left of Darkness 'til Dawn 
Waiting Room 
West Chimney 
Zot Face, The 

Paris Girl 

5.13a R

   
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Type: Sport, 1 pitch
Consensus: 5.13a/b [details]
FA: Christian Griffith 80s
Fixed Hardware: 5 Lead Bolts [details]
Season: Crisp temps
Submitted By: Steve Levin on Jan 1, 2001

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Description 

Paris Girl defines the early 1980s approach to bolting in Eldo: enough to keep you from decking, and no more (although if you blow a clip on this one...). It is an excellent and difficult face climb with significant whipper potential. The scene of much controversy after it was put up (it was the first Eldo climb protected exclusively by rap-placed bolts), the recent vandalism of several hangers (all now replaced) suggests it is still a flashpoint in the tedious Boulder "bolt wars".

PG takes the obvious bolted line on the steep and blank wall right of Disappearing Act, just beyond Darkness 'til Dawn. Take a deep breath, then punch it on unprotected and difficult climbing to the first bolt (dangerous). The crux starts here: a series of crimpy moves up and right past the 2nd bolt to a long reach with whipper potential. The holds are crispy, and some rock deterioration has occurred, making the climbing closer to 5.13a then 5.12d...for example, PG is harder than The Sacred and the Profane on Peanuts, rated 12d/13a in the current Eldo guide. After the crux the climbing eases slightly, passing a bulging 5.12 section, then the micro-edge slab above (5.12a at the start) to a big runout on 5.11a climbing and the anchors.

A workable strategy here is to warmup on Disappearing Act, then set a TR (two ropes) to work the route before the redpoint attempt. Extra points for those brave enough to jump on it with no rehearsal. A good edging shoe is helpful. Cool, crisp temperatures also help; excessive amounts of coffee prior to your redpoint attempt won't.

2 ropes to rappel!


Protection 

QDs only.



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By Michael Komarnitsky
Founding Father
From: Seattle, WA
Jul 16, 2001

Background: In May of 2001, a flyer popped up at Neptune's saying ...._500 reward from ACE (Action Committee for Eldorado) "to anyone who provide evidence that leads to the arrest or conviction of the person or persons who vandalized and sabotaged the bolts on Paris Girls."

I don't know if they ever caught the idiot who did this.

By Peter Beal
From: Boulder Colorado
Jul 24, 2001

I'd just like to add that Steve Levin, although I've never met him, has certainly the most impressive list of contributions to the site. Any climber who completes even a fraction of these routes really has his or her act together.

By Jeff Achey
Feb 4, 2002

For the record, it is Paris Girl, not "Girls," named after a specific 13-year-old Lolita-ish Parisian in rollerskates photographed by Charlie Fowler beneath the Eiffel Tower. The photo was later shown to the impressionable and imaginative first ascenscionist, who was hopelessly smitten.

By Brian McMahon
Feb 12, 2005

Say - have any of you read Jim Beyer's rant in Alpinist 8 about Paris Girl? He claims that it was chipped. Anybody know of the truth or lie behind that?