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Routes in Odyssey
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Alcinoo S 5.12b 7b 26 VIII+ 26 E5 6b |
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Alfredo Alfredo S 5.12c 7b+ 27 IX- 27 E6 6b |
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Alter Boy S 5.7 5a 15 V+ 13 MVS 4b |
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Amphora S 5.12b 7b 26 VIII+ 26 E5 6b |
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Andromeda S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Argo Navis S 5.10a/b 6a+ 19 VI+ 19 E2 5b |
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Ari Superdog S 5.12b 7b 26 VIII+ 26 E5 6b |
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Arugliopoulos S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Atena S 5.11a 6c 22 VII+ 22 E3 5c |
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Beast, The S 5.12b 7b 26 VIII+ 26 E5 6b |
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Bonnie S 5.9- 5c 17 VI 16 HVS 4c |
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Boom Boom S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Bosmogy S 5.12d 7c 28 IX 28 E6 6b |
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Bosmogy S 5.12d 7c 28 IX 28 E6 6b |
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Bubu Pensaci Tu S 5.12c 7b+ 27 IX- 27 E6 6b |
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Calipso S 5.11d 7a 24 VIII 25 E5 6a |
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Caribbean Wedding S 5.11d 7a 24 VIII 25 E5 6a |
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Ciao Vecchio S 5.11a 6c 22 VII+ 22 E3 5c |
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Circe S 5.10c 6b 20 VII 20 E2 5b |
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Clyde S 5.10 6b 20 VII- 19 E2 5b |
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Daphne S 5.12b 7b 26 VIII+ 26 E5 6b |
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Dionysos S 5.11d 7a 24 VIII 25 E5 6a |
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Early Bird S 5.12c 7b+ 27 IX- 27 E6 6b |
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Eda Tonca S 5.7 5a 15 V+ 13 MVS 4b |
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Elies S 5.11d 7a 24 VIII 25 E5 6a |
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Eumeo S 5.7 5a 15 V+ 13 MVS 4b |
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Eurycleia S 5.9- 5c 17 VI 16 HVS 4c |
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Femio S 5.10b 6a+ 19 VII- 19 E2 5b |
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Feta S 5.11b 6c 23 VIII- 23 E3 5c |
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Fourtouna S 5.12+ 7c 28 IX 27 E6 6b |
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Fouska S 5.11d 7a 24 VIII 25 E5 6a |
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Gaia S 5.13d 8b 31 X 32 E8 7a |
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Gora Guta Gutarak S 5.14c 8c+ 34 XI- 35 E9 7b |
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Haryvdi S 5.10b 6a+ 19 VII- 19 E2 5b |
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Hyma sto Kyma S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Il Gigante e la Bambina S 5.11c 6c+ 24 VIII- 24 E4 6a |
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Imia S 5.11b 6c 23 VIII- 23 E3 5c |
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Inti Raymi S 5.12c 7b+ 27 IX- 27 E6 6b |
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Inti Watana S 5.13d 8b 31 X 32 E8 7a |
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Island Highway S 5.11b 6c 23 VIII- 23 E3 5c |
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Island Highway Extension S 5.11b 6c 23 VIII- 23 E3 5c |
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Island in the Sun S 5.12a 7a+ 25 VIII+ 25 E5 6a |
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Island in the Sun Extension S 5.12b 7b 26 VIII+ 26 E5 6b |
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Itaca S 5.11c 6c+ 24 VIII- 24 E4 6a |
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Kinky Cleric, The S 5.7 5a 15 V+ 13 MVS 4b |
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Kulturistica S 5.12b 7b 26 VIII+ 26 E5 6b |
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LA 19 CM S 5.12d 7c 28 IX 28 E6 6b |
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Laertes S 5.9+ 5c 17 VI 17 E1 5a |
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Las Gallinas Que Entran S 5.13b 8a 29 IX+ 30 E7 6c |
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Le Vieil Homme Et Ta Mere S 5.12c 7b+ 27 IX- 27 E6 6b |
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Lestrygon S 5.11a 6c 22 VII+ 22 E3 5c |
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Los Kukos S 5.14b 8c 33 X+ 33 E9 7b |
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Los Revolucionarios S 5.14d 9a 35 XI 36 E10 7c |
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Lotophagos S 5.9+ 5c 17 VI 17 E1 5a |
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Lucky Luca S 5.12a 7a+ 25 VIII+ 25 E5 6a |
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Lucky Strike S 5.12b 7b 26 VIII+ 26 E5 6b |
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Mad Monk S 5.7 5a 15 V+ 13 MVS 4b |
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Marci Marc S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Meltemi S 5.12b 7b 26 VIII+ 26 E5 6b |
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Mermizeli S 5.11a 6c 22 VII+ 22 E3 5c |
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Midas S 5.6 4c 14 V 12 S 4b |
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Midas (ext) S 5.12b 7b 26 VIII+ 26 E5 6b |
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Mikrotera Kalamarakia S 5.11a 6c 22 VII+ 22 E3 5c |
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Mikrotera Kalamarakia ext S 5.10d 6b+ 21 VII+ 21 E3 5b |
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Mon Amour S 5.10b 6a+ 19 VII- 19 E2 5b |
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Mon Pere Ce Blaireau S 5.12b 7b 26 VIII+ 26 E5 6b |
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Moon Bridge S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Morfeas S 5.10d 6b+ 21 VII+ 21 E3 5b |
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Morfeas Plus S 5.12c 7b+ 27 IX- 27 E6 6b |
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My Name is Nobody S 5.12d 7c 28 IX 28 E6 6b |
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Mythos S 5.10d 6b+ 21 VII+ 21 E3 5b |
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Naughty Nun, The S 5.5 4b 13 IV+ 11 MS 4a |
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Nausica Nausicaa S 5.10b 6a+ 19 VII- 19 E2 5b |
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Nessuno S 5.9- 5c 17 VI 16 HVS 4c |
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Odisseo S 5.10b 6a+ 19 VII- 19 E2 5b |
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Oldie Argos S 5.10a/b 6a+ 19 VI+ 19 E2 5b |
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Omiros S 5.12b 7b 26 VIII+ 26 E5 6b |
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On the Verge S 5.5 4b 13 IV+ 11 MS 4a |
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Orion S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Paris, Texas S 5.12d 7c 28 IX 28 E6 6b |
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Patroclos Reborn S 5.12b 7b 26 VIII+ 26 E5 6b |
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Penelope S 5.10b 6a+ 19 VII- 19 E2 5b |
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Pindaro S 5.13a 7c+ 29 IX+ 29 E6 6c |
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Polifemo S 5.12d 7c 28 IX 28 E6 6b |
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Poly Retsina No Good S 5.10a 6a 18 VI+ 18 E1 5a |
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Power of Goofiness S 5.12d 7c 28 IX 28 E6 6b |
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Prometheus S 5.12d 7c 28 IX 28 E6 6b |
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Pulpit, The S 5.7 5a 15 V+ 13 MVS 4b |
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Salade, Tomate, Oignon S 5.13d 8b 31 X 32 E8 7a |
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Sardonique S 5.13c 8a+ 30 X- 31 E7 7a |
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Satyros S 5.11c 6c+ 24 VIII- 24 E4 6a |
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Saxana S 5.11d 7a 24 VIII 25 E5 6a |
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Scylla S 5.12d 7c 28 IX 28 E6 6b |
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Second Coming, The S 5.5 4b 13 IV+ 11 MS 4a |
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Sirene S 5.12d 7c 28 IX 28 E6 6b |
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Telemaco S 5.9 5c 17 VI 17 HVS 5a |
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Telemaco (ext) S 5.10b 6a+ 19 VII- 19 E2 5b |
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Tiresias S 5.11a 6c 22 VII+ 22 E3 5c |
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Triton S 5.12c 7b+ 27 IX- 27 E6 6b |
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Troya S 5.11b 6c 23 VIII- 23 E3 5c |
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Tupac Amaru S 5.15a 9a+ 36 XI+ 37 E11 7c |
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Ulisse Coperto di Sale S 5.11d 7a 24 VIII 25 E5 6a |
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Verger, The S 5.6 4c 14 V 12 S 4b |
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Why Not S 5.11a 6c 22 VII+ 22 E3 5c |
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Ya Agori Mu S 5.12a 7a+ 25 VIII+ 25 E5 6a |
Order Wrong?
Sort Routes
| Type: | Sport, 80 ft (24 m) |
| FA: | Daphne & Flaviano Bessone, Adele Gamba, 2001 |
| Page Views: | 1,250 total · 8/month |
| Shared By: | Top Rope Hero on Oct 25, 2011 |
| Admins: | Jason Halladay, Luke Bertelsen |
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Description
You. Must. Do. Daphne.
No, NOT the cartoon character of Scooby-Doo fame, freak. The climb. THIS climb. Although it's crazily un-Kalymnian in that it only has a whiff of tufa, nevertheless this plum belongs in your basket. Go pick it.
Trend up 'n' right on the velvet thighs of virgins. Delicate, precise footwork on increasingly greasy feet help. So would poise and the kind of balance that Cirque du Soleil performers would knife you for in the back alley mean streets of Quebec. Hands will take care of themselves; the edges and pockets here will swallow you to the elbows. Shake out when you can; the crux (near the top) is a bitch.
SPOILER ALERT: Now...here's the thing of it. The Aris suggests that "the route" sends the desperate pockets up the face, that mounting the tufa on the left essentially cheats the grade. Unstoppable is my river of "whatever"!
The face holds include a deep but hidden downward mono on a high, right-sloping rail. Which makes mounting the top fairly 11ish. But stay on the steeper and more committing left face cuts and put the Kegel clamp down on that tufa pipe, feet up micro edges—now THAT is the money sequence. Far more aesthetically clean. Far more brilliant, harder, even. AND it follows proper the bolt line, not wanders off left for the pendulum of doom.
But? Make your own choice. Daphne would have wanted it that way.
No, NOT the cartoon character of Scooby-Doo fame, freak. The climb. THIS climb. Although it's crazily un-Kalymnian in that it only has a whiff of tufa, nevertheless this plum belongs in your basket. Go pick it.
Trend up 'n' right on the velvet thighs of virgins. Delicate, precise footwork on increasingly greasy feet help. So would poise and the kind of balance that Cirque du Soleil performers would knife you for in the back alley mean streets of Quebec. Hands will take care of themselves; the edges and pockets here will swallow you to the elbows. Shake out when you can; the crux (near the top) is a bitch.
SPOILER ALERT: Now...here's the thing of it. The Aris suggests that "the route" sends the desperate pockets up the face, that mounting the tufa on the left essentially cheats the grade. Unstoppable is my river of "whatever"!
The face holds include a deep but hidden downward mono on a high, right-sloping rail. Which makes mounting the top fairly 11ish. But stay on the steeper and more committing left face cuts and put the Kegel clamp down on that tufa pipe, feet up micro edges—now THAT is the money sequence. Far more aesthetically clean. Far more brilliant, harder, even. AND it follows proper the bolt line, not wanders off left for the pendulum of doom.
But? Make your own choice. Daphne would have wanted it that way.
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